A Year in Shorts Day 116: "Period. End of Sentence."

One of the great things about documentaries is how versatile they are. Not only in terms of form and subject, but in terms of what the filmmakers are hoping they do. Some just seek to inform; others want to entertain. And still some documentaries exist in order to effect social change. 2018’s Period. End of Sentence is one such film. And I’m happy to say that the film definitely succeeded in their mission, at least in my neck of the woods. After that, winning an Oscar almost seems secondary!


(via Wikipedia)


Directed by Rayka Zehtabchi and released in 2018, Period. End of Sentence. is a "social issue" documentary, with the issue in this case being menstruation and the taboos that often surround it in India. The film specifically focuses on a group of women in Hapur, India, who learn how to make cheap and safe sanitary pads with the help of a machine invented by Arunachalam Muruganantham. On first glance it might sound like a strange subject for a film, but the film manages to be consistently engaging and informative, covering how this machine not only supports women's health, but also allows them to be empowered while supporting their local economy. That's a lot of ground to cover in under half an hour, and at times it feels as if the film might have been better served as a feature. But I suppose there's nothing wrong with a film that leaves you wanting more, is there?



As for this film's personal connection with me, it's slight, but significant! To allow you to peak behind the curtain a bit, I tried to get The Great Oscar Baiter off the ground with a friend of mine back in 2019, but as a podcast, not a blog. Part of the idea for our pilot episode was to cover not only the most recent Best Picture winner (in this case, Green Book), but the winners in all the Shorts categories as well- Bao (Animated), Skin (Live Action) and- of course- Period. End of Sentence. in Documentary.

Well for a variety of reasons that didn't quite work out and it'd be over a year before The Great Oscar Baiter officially launched as the blog you all know and love. In hindsight, recording the pilot on the opening weekend of Avengers: Endgame when I had already seen the film and my cohost hadn't might have been a mistake; making a running gag out of that fact certainly was! Still, I don't regret the experience (well, mostly- I regret having to purchase Skin just so I could watch it), as Period. End of Sentence. allowed me to help my brother graduate college.



Seriously though, I am NOT looking forward to covering this one...

(via Wikipedia)


As my brother neared the end of his senior year he needed an idea for his capstone project and couldn't think of what to do. Having just seen Period. End of Sentence., I told him he should look into The Pad Project and see if he could do something with that. And I can't imagine he's the only one who has done something similar! We've covered a lot of Oscar-winning films in our Year in Shorts so far, but how many of them can say they're making a difference in the world, no matter how small?

Period. End of Sentence. is a very good film, managing to pack a great deal of information into a relatively short period of time. While it may not be the most entertaining or artistically daring of documentaries, it effectively raises awareness about an issue a lot of people probably hadn't even thought about, and that alone is worth commending. And as Rayka Zehtabchi pointed out when she accepted her Oscar- How wild is it that a film about periods won an Academy Award?


For more information on how you can support The Pad Project, you can follow the link here.


Keep up with the Oscar Baiting here on Letterboxd!


The Great Oscar Baiter is a not-for-profit work of criticism. All images herein are property of their respective owners and are protected under Fair Use.

Comments

Post a Comment

Popular posts from this blog

Song of the Week #15: "Take My Breath Away"

Image
I’ll put myself on a consistent schedule for these things one day, I promise. In my defense, there are a lot of movies to catch up on, and isn’t that what Oscar Baiting is all about? For instance- until recently, I’d never seen the original Top Gun! But with Top Gun: Maverick holding its spot as the biggest hit of the year (probably only to be dethroned by Black Panther or Avatar ) and even potentially soaring into the obligatory crowd pleaser Best Picture slot, I figured it was time to see where things began. Because while the Oscars Top Gun: Maverick may win have yet to be decided, the first Top Gun only went home with one- for the love theme, “Take My Breath Away.” (via Wikipedia) Love themes for films have gone a bit out of style these days, although for a long time it seemed to be a surefire way to nab a Best Song nomination. Seriously, look through the Wikipedia article and count how many times you see "Title Seemingly Chosen at Random (Love Theme from Movie You Didn...
Read more

Song of the Week #6: "The Ballad of High Noon"

Image
I was finally able to catch Kenneth Branagh’s Belfast this weekend, and I have to say it certainly lived up to the hype. There’s a lot to love about this movie, from the gorgeous black-and-white cinematography, the exquisite performances from both the seasoned veterans and newcomers in the cast, to a script that’s brimming with heart and humor. But one aspect of the film I don’t see a lot of people mention is the way it incorporates footage from other films- most notably Fred Zinnemann’s High Noon, using not only a scene from the movie itself but scoring two pivotal scenes with the film’s theme song, the aptly-named (and Oscar-winning) “The Ballad of High Noon.” It was a bold choice to be sure, but who could blame Branagh? It’s a great movie, and a great song- and the subject for today’s installment in Song of the Week. (via Wikipedia) For those of you haven't seen High Noon... well, you really should get on that, it's a classic! Aside from being a taut, tightly edited thril...
Read more

Song of the Week #14- "Chitty Chitty Bang Bang"

Image
I was watching Belfast with my friend last week, and- like all great films- it raised a lot of questions. Questions like, “Hey, remember the last time I watched Belfast and was inspired to write a blog post because of it ?” and “Hey, why haven’t I written anything Oscar Bait related in a while?” Well, luckily for all of us “The Ballad of High Noon” wasn’t the only Oscar-nominated song featured in Belfast. Unluckily for us, that other song just happens to be “Chitty Chitty Bang Bang.” (via Wikipedia) Readers of this blog will hopefully remember that I love a good movie musical. Sadly, those were few and far between in the 1960s. Oh sure, movie musicals certainly had a brief resurgence in those days. Many of them were big hits, both critically and commercially. Hell, Best Picture went to a musical on four separate occasions in that decade! But how many of them were actually any good? Not a lot. Oh sure, The Music Man is great fun and Mary Poppins is a classic. But far too many mu...
Read more